Archive for May, 2006

Featured Album: The Aggrolites by The Aggrolites

Wednesday, May 31st, 2006

THE AGGROLITES: THE AGGROLITES (Hellcat)

WHO: The month that ska-reggae pioneer Desmond Dekker kicks the bucket, a group of white Southern Californians revive that late 60s Jamaican sound with admirable authenticity.
WHAT: The result of two bands coming together to record backing tracks for a new album by Jamaican ska singer Derrick Morgan – and enjoying the results so much that they decide to merge forces full time – The Aggrolites debut’ is among the strongest albums ever to emerge from the ever-eager American ska scene. Some of that is down to location and equipment: by recording at Signet Studio, former West Coast home of Motown, and using instruments and microphones dating back to the 60s, the quintet has been able to fashioned a decidedly retro reggae sound, with Hammond organ and upright piano twirling proudly around crisp upbeat guitars and tightly wound drums. There’s other reasons The Aggrolites’ sound so authentic: they’ve opened for Madness and The Selecter in America, and served as backing band for, among others, Prince Buster, who observed that they “could play my music just as good as the day it was recorded.” Such high praise could hardly come from a greater source.

The AggrolitesThe Aggrolites: authentic retro ska-reggae from Southern Californian white boys

WHY: “We were recording the album without even knowing it,” says front man Jesse Wagner of the one-take sessions that resulted in this 19-song feast. The speed and simplicity of the sessions might explain why The Aggrolites has a dirty sound that recalls Kingston 1969 via Coventry 1979.
WINNERS: ‘Countryman Fiddle’ is a rock-steady anthem in the making with J Bonner’s deep dark bass and Roger Rivas’ chirpy keyboard sounds giving way to an easygoing singalong chorus. ‘The Volcano’ and ‘Sound of Bombshell’ are instrumentals so old-fashioned you wouldn’t be surprised to find them on the B-side of an old Studio One 45.
WORDS: “I need more soul with my music, got to have reggae reggae music.” ‘Countryman Fiddle.’
WHINE: The skinhead hooligan name and baseball bat sits at odds with the sound. And the lyrics – mostly of the bare bones “times are tough, people must dance” type – are no more modern than the music. This is a stunning debut, but The Aggrolites will need to fashion their own identity to take it to the next level.
WEB: Listen to the Aggrolites at the Hellcat web site. Check videos of the group playing live on the Aggrolites web site.
WINE: Nah man. This is Red Stripe, Colt 40, roll out the Red Barrel music.

The Curse of the Caterpillar

Monday, May 29th, 2006

That chk-chk-chk you can hear all over the Catskills right now is not New York City’s funkiest white boys come to play in the woods. Nor is it the sound of spring rain – at least not when the sky is blue. And while I’d love to say it’s the pitter-patty of tiny feet, that chk-chk-chk sound is still audible when the babies are down for their naps.

No, what you’re hearing is the sound of caterpillars pooping. Seriously. The tent caterpillar has become the scourge of the Catskills these last few years – and right now that scourge is at its peak. It is impossible to move around these parts right now without running into, walking over or being deluged by them. They are so prevalent that you can, literally, hear them poop.

We were first introduced to the tent caterpillar three springs ago at our weekend place in Hunter when we noticed cobwebs in the trees. Those turned out to be the “tents” from which the caterpillars get their name. Soon enough we could see them moving up and down the tree branches, feeding themselves off the leaves as they steadily wove their tents to house themselves. According to the Ohio State University’s web site

One or two colonies can completely defoliate small trees. Periodic, major outbreaks result in numerous colonies in larger trees which can also do considerable defoliation. Since this defoliation occurs early in the season, the plants must set out new leaves at considerable energy expense.

The tree in the foreground has been completely defoliated by tent caterpillars, whose nests are clearly visible in the intersection of the branches.

As the caterpillars emerge from these tents for good and start spinning their silky way down off the branches and onto terra firma – frequently dropping the last few feet in the process like parachutists coming to land – the two-inch furry things actually look quite cute. We even left them alone as they started climbing our exterior walls. It was only when we noticed cocoons filling almost every inch of our under-eaves that we realized we might have a pest problem. And when those cocoons hatched moths – many thousands of them – it was too late to do anything about it. The moths, apart from driving you plain crazy when you live in a brightly lit house in the otherwise dark countryside, and apart from the fact that they will of course eat your shirts if you let them, do have the compensation of only living for a few days. During that time, however, they mate and lay eggs in the trees to repeat the whole annoying annual cycle.

Compared to rats and cockroaches in New York City, or locusts in Egypt, tent caterpillars are not the most evil or disgusting of creatures. But the sheer number of them is, honestly, overwhelming. It’s not been uncommon for people walking down Phoenicia’s Main Street these last few weeks to do a double take as they notice the ground moving under their feet. And when I went out on a bike ride two weeks ago, so many of them were spinning down off the trees that I came home with my shirt and helmet covered in caterpillars, some crawling all over me, others splattered by the force with which I hit them, leaving brown-green blotches all over my shirt.

It’s not just the trees they fall from. As they climb up a wall – or, to use a specific example, my screen door in Phoenicia – they frequently clamber over each other, forming a vertical layer of caterpillars three or four deep, and as they lift their front ends up – to, presumably, sense out a nice dark under-eave – they often succumb to gravity and fall to the floor. Chk chk chk. It’s distracting as hell.

Tent caterpillars climbing the screen door. Every time it shuts another few dozen fall to the floor, until the ground starts moving under your feet.

A tent caterpillar is easy enough to kill. Just tread on one and you will learn that it is green inside. (Must be all those leaves they eat.) But trying to rid yourself of a garden full is absolutely and completely impossible. Last Wednesday evening, around 7pm, I spent thirty minutes with a broom sweeping them off the various walls and exteriors of the house, frequently slicing them open in the process. I probably swept near a thousand off the walls, killing at least several hundred in the process. (Though I’m not a Buddhist, I am a vegetarian, so I don’t get a great thrill out of killing Mother Nature’s creatures, but sometimes you just have to claim your turf.) An hour later, I went back outdoors. It was like I’d never taken them on. By the following afternoon, there were twice as many as when I’d performed my genocide. It’s a losing battle.

Solutions to the tent caterpillar scourge are few and far between. You can spray the tents with BT insecticide when they first show up in the spring – though given how high and far and wide they nest in the trees, that’s easier said than done. You can cover the trunk of your tree with a thin layer of Crisco, like our friends who run the Phoenicia Belle B&B just did, and get yourself in the local paper as a result. What the paper failed to note was that the Crisco attracts bears. Big ones. Probably not a good idea.

Ultimately then, you’re reduced to either attacking them with a firm broom, a good boot sole, or letting nature take its course. The tent caterpillar population apparently rises and falls every few years, and this spring is, so we’re encouraged to believe, the peak of their pestiness. That’s good news. Because, besides the sheer nuisace of them, tent caterpillars attract flies, who lay eggs in the bodies of the caterpillars that in turn produce maggots. There were so many flies around last summer that locals are convinced the authorities unwisely unleashed them to combat the caterpillar problem; though I can’t find consummate proof, it’s the sort of rural myth that one can easily believe.

And so, until the caterpillars turn to cocoons, the cocoons to moths and the flies come in to take over, we walk the streets and the wood shaking them off our clothes, crushing them under our feet and listening to that distinctive percussive sound: chk chk chk.

The death of Desmond

Friday, May 26th, 2006

Shona writes in The Pub of Desmond Dekker’s untimely death from a sudden heart attack at the age of 64. Dekker was the vital link between Sixties ska and Seventies reggae: ‘The Israelites’ was the first British number one single of either genre and, as with his other big hits ‘007’ and ‘It Mek,’ still sounds other-worldly. Born in Kingston, Jamaica, Dekker moved to England in the 1970s and settled, if memory serves me correctly, in Forest Hill, South London. Those who knew him spoke of a vivacious personality a and consummate performer. He was certainly a pioneer. And he will be sadly missed.

I never met Dekker. I did, however, know Ian Copeland, who died this week, aged 57, of melanoma. The middle brother of Miles (IRS Records) and Stewart (The Police), Ian was a booking agent who moved to Macon, Georgia in the very late 1970s determined to sell the American Southern Rock business the British new wave. The trip would have been a total disaster had he not befriended a young intern, Bill Berry, who soon formed R.E.M. and introduced Ian to the happening scene up in Athens. Copeland later moved to New York and started the FBI Booking Agency, avidly booking the new wave bands that most other American agencies would not touch with a barge pole. He was a vital player in R.E.M.’s success, to name just one of the many groups he championed. When I was researching the my R.E.M. biography, Remarks, Copeland was welcoming and co-operative as could be. While every bit the loud American, he also had a genuine warmth to him. In 1995, Copeland published an autobiography, WILD THING. It wasn’t a great book, but he was certainly a great man.

Bugger Off

Thursday, May 25th, 2006

The following conversation would be funny if it wasn’t… well, if the people caught on tape weren’t serious about their end goal. What’s the likelihood that the terrorists who attacked the London Transport system last year had similar conversations, but unfortunately were not being watched (or recorded) by MI5?

(From the Daily Telegraph, the only paper I could find online to include an actual transcript.)

The recording played to the (Old Bailey) jury was said by the prosecution to have been made at Akbar’s home in Uxbridge, west London, on Sunday February 22, 2004.

Akbar: “What about easy stuff where you don’t need no experience and nothing and you could get a job, yeah, like for example the biggest nightclub in central London where no-one can even turn round and say ‘oh they were innocent’ those slags dancing around?

“If you went for the social structure where every Tom, Dick and Harry goes on a Saturday night, yeah, that would be crazy.”

Khyam: “If you get a job in a bar, yeah, or a club, say the Ministry of Sound, what are you planning to do there then?”

Akbar: “Blow the whole thing up.”

Khyam: “That’s what I’m saying.”

Akbar: “I think the club thing you could do, but the gas would be much harder. There’s people who even get in with their searching stuff but it’s only bouncers that search you.”

Khyam: “The explosion in the clubs, yeah, that’s fine, Bro, that’s not a problem. The training for that is available. To get them into the Ministry of Sound really isn’t difficult.”

Akbar asks Khyam: “Bruv, you don’t think this place is bugged, do you?”

Khyam: “No, I don’t think it’s bugged Bruv.”

Wankers.

Uncork New York

Thursday, May 25th, 2006

Something of a surprise when the new Wine Spectator came through the mail: New York wines are on the front cover. Has our uncelebrated State finally won over the wine critics, we wonder, or has America’s leading wine-and-lifestyle magazine run out of cover stories?

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It may be the latter. For while the accompanying feature notes that “a quiet wine revolution has been taking place in the Empire State,” the “Recommended New Releases” chart running alongside fails to find a single example worthy of a 90pt rating.

I don’t place as much credence as retailers and distributors do over Wine Spectator scores; they’re arbitrary and inconsistent. (And the region has just come off two very difficult vintages, 2003 and 2004.) But, Finger Lakes Rieslings aside, I myself can’t claim that my home State is yet producing “outstanding” or “classic” wines, let alone enough bargain bottles that satisfy the “quality-price-ratio.” So while the potential is evident, the promise is apparent, and the enthusiasm and energy is there for anyone to see should they visit the vineyards themselves, it’s still hit and miss when it comes to the taste test.

And that is essentially the point of the cover story: go visit and discover for yourself. After all, the Wine Spectator doubles as an upscale travel magazine these days, dominated by ads aimed at those with spare time and disposable income. For such people, I can only say that, having gone on wine-tasting trips to both the Finger Lakes and Long Island’s North Fork, and living as I do in the Hudson Valley, that these are all beautiful regions to visit. Keep your expectations high for the scenery, and modest for the wineries, and you won’t be disappointed. Just don’t do the Finger Lakes like I did, on a wet Saturday in the middle of Autumn.

The best of New York: the Hermann J. Wiemer Riesling

For what it’s worth, the Spectator’s top scoring wines are, from Long Island, Chardonnays by Macari and Corey Creek and a Cabernet Sauvignon from Raphael; from the Finger Lakes, a Riesling and Chardonnay from Standing Stone and a Riesling from Atwater Estate, and from the Hudson Valley, a Millbrook Cabernet Franc. Though I haven’t tasted anything from Raphael, I’ve visited Macari, Atwater and Standing Stone, and met with people from Millbrook, and agree that these are among the very best wineries in the State. But the Wine Spectator is always its own worst enemy: the failure to discuss or recommend the Hermann Wiemer winery anywhere in the entire story suggests that either the writer is not paying attention or that the winery has somehow upset the magazine along the way. Ask any wine store that knows its New York wine and they will confirm that the Herman Wiemer Riesling is not only the benchmark wine for the Finger Lakes; it’s quite possibly the best Riesling outside Germany. It also has a habit of selling out each year. Go get yourself a sample sip here.

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More on New York Wine at iJamming:

My visit to the Finger Lakes part 1, part 2; Best Case Scenario
New York W(h)ines part 1
New York W(h)ines part 2
Cabernet Franc in New York State

iJamming! v1.0 Wine Archives
iJamming! v2.0 Wine Archives

More on New York wines in the Wine Spectator here